How much did Thorvaldsen’s works cost? This article presents a list of sample prices.
The list is updated regularly.
As a matter of course, the prices of Thorvaldsen’s sculptures were proportional to their size. These proportional calculations were made on an entirely concrete basis: namely, the costs of materials and production were combined to yield a basic sum, which was then adjusted to the size of the artwork at issue. Thorvaldsen described the principles he used for calculating prices in a letter dated 18.6.1806, from Rome to Denmark, containing a list of prices for his various types of artworks.
For statues, Thorvaldsen’s prices were based closely on the Roman palmi, a unit of length. 1 palmo corresponded to about nine inches, or 22.3 cm; on this see the Related Article on Weights and Measures. The taller a statue was, the higher its price. On the other hand, the increase in a statue’s price was not necessarily directly proportional to its height, as a statue also grows in width and depth when it becomes tallerI. For example: in 1806, a Thorvaldsen statue with a height of 6 palmi cost 600 scudi, while one of 10 palmi—that is, not even twice as tall—cost more than three times as much, namely, 2000 scudi.
For reliefs, the price was determined first by the number of main figures in the scene to be depicted, and then by how tall the figures and the relief as a whole were to be. The relief Briseis and Achilles, cf. A490, which Thorvaldsen had sold in marble to Theodor von der Ropp in 1805, cost a total of 550 scudi, i.e., 110 scudi per figure of ca. 4½ palmi each.
For larger commissions, the price was set following a concrete estimate. Busts appear to have been divided into two main price categories: those in “slightly more than life-size,” as it was then called, i.e., ca. 50-60 cm tall, and those in colossal size, i.e., 70-80 cm tall.
With regard to Thorvaldsen’s personal income, he would ordinarily charge the same amount for himself as he did for the costs of materials and production, so that he took home ca. 50% of the work’s total sales price. On this see the Related Article Thorvaldsen’s Works, Setting Prices.
As a rule, Thorvaldsen set his prices in the Roman currency scudi; on this see the Related Article Monetary Units.
Finally, payment was normally agreed to be made in installments. On this see the Related Article Thorvaldsen’s Works, Payment in Installments.
The prices for Thorvaldsen’s works rose in tandem with the sculptor’s growing fame. An increase is already evident between his earliest commissions, in 1803, and the price list that he produced in 1806. As is evident from the lists below, Jason, at a height of 11 palmi, cost 1320 scudi in 1803, while a statue of only 10 palmi in height would have fetched 2000 scudi in 1806. In 1818, the merely (ca.) 8 palmi tall Maria Fjodorovna Barjatinskaja cost 3000 scudi.
A statue of 6 palmi in height cost 400 scudi in 1804, 600 scudi in 1808, and 800 scudi in 1809. A similar price increase can also be observed for Thorvaldsen’s reliefs, as can be seen in the examples below.
Nevertheless, by comparison with the prices for Antonio Canova’s sculptures, Thorvaldsen’s artworks were quite cheap. According to a letter dated 30.1.1807 from Thorvaldsen’s friend C.F. Høyer, Canova received 36,000 scudi in 1807 for four marble statues of 8 palmi in height, i.e., 9,000 scudi/statue. In 1806, Thorvaldsen accepted 1,000 scudi for a similar statue—so Canova was nine times as expensive as Thorvaldsen at that point.
Year | Work | Price | Size | Notes | Sources |
1803 | Jason, A822 | 1320 scudi | 242 cm = 11 palmi | Contract dated ca. 21.3.1803 | |
1804 | Cupid and Psyche, cf. A28 | 800 piastre (= ca. 800 scudi) | 134.5 cm = “palmi Sei Romani” [six Roman palmi] | Part of Vorontsova’s Commission | Contract dated February 1804 |
1804 | Bacchus, cf. A2 | 400 piastre (= ca. 400 scudi) | 140 cm = “palmi Sei Romani” [six Roman palmi] | Part of Vorontsova’s Commission | Contract dated February 1804 |
1804 | Ganymede, cf. A41 | 400 piastre (= ca. 400 scudi) | 135.7 cm = “palmi Sei Romani” [six Roman palmi] | Part of Vorontsova’s Commission | Contract dated February 1804 |
1804 | Apollo, cf. A3 | 400 scudi | 144 cm = “palmi Sei Romani” [six Roman palmi] | Part of Vorontsova’s Commission | Letter dated 5.3.1804 |
1804 | Venus, cf. A12 | 400 scudi | ca. 133 cm = “palmi Sei Romani” [six Roman palmi] | Part of Vorontsova’s Commission | Letter dated 5.3.1804 |
1805 | Venus, cf. A12 | 400 scudi | ca. 133 cm = 6 palmi | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1806 | Hebe, cf. A37 | 600 scudi | 153 cm = “sex til syv Romerske Palmer” [six to seven Roman palmi] | Otto Reedtz-Thott’s Commission of Hebe, 1806 | Contract dated 26.5.1806 |
1806 | A standard statue | 600 scudi | 133.8 cm = “6 Palmers Høide” [six palmi in height] | From Thorvaldsen’s general price list | Letter dated 18.6.1806 |
1806 | A standard statue | 800 scudi | 156.1 cm = “7 Palmers Høide” [seven palmi in height] | From Thorvaldsen’s general price list | Letter dated 18.6.1806 |
1806 | A standard statue | 1,000 scudi | 178.4 cm = “8 Palmers Høide” [eight palmi in height] | From Thorvaldsen’s general price list | Letter dated 18.6.1806 |
1806 | A standard statue | 2,000 scudi | 223 cm = “10 Palmers Høide” [ten palmi in height] | From Thorvaldsen’s general price list | Letter dated 18.6.1806 |
1809 | Psyche, cf. A26 | 600 piastre (= ca. 600 scudi) | 131.7 cm / “2 Al: 4 tom” [2 ells, 4 inches] | From the price list sent by Thorvaldsen to the Building Commission for Christiansborg Palace | Letter dated 4.2.1809 |
1809 | Venus, cf. A12 | 500 piastre (= ca. 500 scudi) | ca. 130 cm / “2 Al: 4 tom” [2 ells, 4 inches] | From the price list sent by Thorvaldsen to the Building Commission for Christiansborg Palace | Letter dated 4.2.1809 |
1809 | Cupid and Psyche, cf. A28 | 1000 piastre (= ca. 1000 scudi) | 134.5 cm = “2 Al: 3 tom” [2 ells, 3 inches] | From the price list sent by Thorvaldsen to the Building Commission for Christiansborg Palace | Letter dated 4.2.1809 |
1809 | Cupid Holding a Butterfly | 800 scudi | 6 palmi | Commissioned by Theodor von Hahn | Contract dated 20.8.1809 |
1812 | Caryatid, A55 and Caryatid, A56, plus plinths etc. | 1000 scudi each | 203.6 cm and 202.5 cm, respectively = ca. 9 palmi | For a monument to Napoleon in Poland | Contract dated 23.12.1812 |
1818 | Maria Fjodorovna Barjatinskaja, A171 | 3000 scudi | Ca. 8 palmi = 181 cm, “Grandeur naturelle” [natural size] | Contract dated 4.8.1818 | |
1823 | Shepherd Boy, cf. A177 | 2000 scudi | 148,5 cm | Commissioned by Franz Erwein Damian Joseph von Schönborn-Wiesentheid | Letter dated 25.1.1823 |
1828 | Cupid with his Bow, cf. A819 | 100 “Luigi d’oro” [Louis d’or] | 4.5 palmi = 100.3 cm | For Michael Shaw Stewart | Receipt dated 17.4.1828 |
Year | Work | Price | Size | Notes | Sources |
1805 | Briseis and Achilles, cf. A490 | 550 scudi / 110 scudi per figure | 116×236.5 cm, 5 figures each of ca. 4½ palmi in height | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1806 | A standard relief | 100 scudi per main figure | Each main figure 2½ palmi / 55,75 cm in height | “I Basrelief koster hver Hovedfigur som er 2 1/2 Palme 100 Scudi” [In bas-relief, each main figure, at 2½ palmi in height, costs 100 scudi]: From Thorvaldsen’s general price list |
Letter dated 18.6.1806 |
1808 | Hector with Paris and Helen, cf. A499 | 255 scudi / 85 scudi per figure | 3×4 palmi = 67×89 cm / 3 figures | De Balck’s commission, which had originally been for a different motif | Contract dated 16.4.1808 Letter presumably from October 1810 |
1811 | Monument to Auguste Böhmer, A701, A702, A703 | At least 150 carolins = ca. 600 scudi | 77.6×45.7 cm / 1 figure, 77.5×63 cm / 2 figures, 77.5×45 cm / 1 figure |
Letter dated 18.8.1811 Letter dated 25.2.1812 Letter dated 24.9.1814 |
|
1813 | Monument to Johann Philipp Bethmann-Holweg, A615,1 A615,2, and A615,3 | 900 scudi | 90×140 cm / 3 figures 89.5×93.5 cm / 3 figures 90×97.5 cm / 2 figures |
Contract dated 25.5.1813 | |
1818 | Christ Assigns the Leadership of the Church to Saint Peter, A565 | 1100 “in moneta d’Oro, ed’Argento” [in coins of gold and silver] | 62.5×179.5 cm / 12 figures | Contract dated 15.12.1818 | |
1818 | Monument to Stanislaus Chaudoir’s Wife, cf. A624 | 1000 scudi | 122,5×96,0 cm / 2 figures | Contract dated 12.6.1818 | |
1819 | Night, cf. A369, og Day, cf. A370 | 500 scudi for both | 80 cm (diameter) / 2-3 figures in each relief | The commission was never prompted | Letter dated 21.12.1818 Letter dated 13.2.1819 |
1823 | Cupid with a Swan and Boys picking Fruit, Summer, cf. A411, and | 200 scudi | 52,2×69,5 cm | Commissioned by Franz Erwein Damian Joseph von Schönborn-Wiesentheid | Letter dated 25.1.1823 |
1823 | Cupid and Bacchus, Autumn, cf. A413 | 200 scudi | 50×69 cm | Commissioned by Franz Erwein Damian Joseph von Schönborn-Wiesentheid | Letter dated 25.1.1823 |
1835 | Monument to the two Poninski children, cf. A616 | 2000 scudi | 172×240 cm / 4 figures | Contract dated 27.4.1835 |
Year | Work | Price | Size | Notes | Sources |
1817-18 | Józef Poniatowski, cf. A123 | 12,000 scudi (reportedly equivalent to 3,000 sequiner) | 463 cm | According to Lord Minto’s diary, entry dated 7.1.1822, Thorvaldsen told him that he had received 3,000 sequins for the equestrian statue. The 1818 contract, however, lists only the payment in scudi. | Contract dated 8.7.1818 Letter dated 15.5.1817 |
1818 | Dying Lion (The Lucerne Lion), cf. A119, and see the completed work(Dying Lion (The Lucerne Lion), Lucerne, Switzerland) | 300 scudi | 84×161 cm | The price was considered very low, and the assignment a special one, as Thorvaldsen was only supposed to deliver the plaster model, and not be responsible for the much larger completed version of the statue. | Letters dated 8.8.1818 and 7.9.1818 |
1820 | Nicolaus Copernicus, cf. A113 | 2,000 “ducats hollandois” [ducats of the Netherlands] | 277.2 cm | Contract dated 30.9.1820 | |
1825 | Monument to Eugène de Beauharnais, cf. A156, and see the completed work | 16,000 “Piastre Romane” [Roman piasters] | Four figures in all; the main figure: 275 cm = ca. 12.3 palmi, two reliefs, and the architectural frame | Contract dated 8.2.1825 | |
1831 | Maximilian 1., cf. A128, and see the completed work | 9000 scudi | 522.5 cm | Contract dated 27.2.1830 |
Year | Work | Price | Size | Notes | Sources |
1804 | Ivan Vorontsov?, A302 | Presumably 200 scudi | 53 cm | Part of Vorontsova’s Commission | Contract dated February 1804 |
1804 | Ivanovna Golitsyna, A304 | Presumably 200 scudi | 73 cm | Part of Vorontsova’s Commission | Contract dated February 1804 |
1805- 1806 |
Jacob Baden, A863 | 200 rigsdaler = ca. 50 ducats, reportedly equivalent to ca. 100 scudi: half the normal price, according to Thorvaldsen | 54.8 cm | Thorvaldsen: “jeg faaer 100 Dukater for et Protrait lidt over naturlig Størrelse, og troer ikke at kunde giøre dette ringere ensom 200r Dansk, som bliver lidet over det halv af hvad jeg ellers faaer, da vor Kurs staaer saa slet” [I fetch 100 ducats for a portrait a little larger than natural size, and do not think I can produce it any more cheaply than for 200 Danish r[igsdaler], which is a little more than half of what I normally receive, as our exchange rate is so poor] | Letter dated 29.12.1804 Letter dated 28.7.1805 |
1806 | A standard bust | 200 scudi | “lidet over naturlig Størrelse” [a little larger than natural size] | From Thorvaldsen’s general price list | Letter dated 18.6.1806 Letter dated 18.11.1806 |
1807 | Henrik Hielmstierne, A210 | 200 scudi | 53.7 cm = “lidet over naturlig Størrelse” [a little larger than natural size] | Letter dated 20.5.1807 | |
1807 | Jacob Laurids Thrane, Dep.36 | 100 scudi | 58.5 cm | Thrane received his bust at a special price for friends, “half” the normal price. | Letter dated after 6.6.1807 |
1823 | Busts carved by Thorvaldsen and sold without a discount | 100 Louis d’or | Unknown | From Thorvaldsen’s general description of his prices | Draft letter dated 29.4.1823 |
Year | Work | Price | Size | Notes | Sources |
1804- 1810 |
Jupiter | 100 scudi | 80 cm = colossal bust | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1804- 1810 |
Apollo Belvedere | 60 scudi | 74 cm | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1804- 1810 |
Bacchus | 60 scudi | 72.3 cm | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1804- 1810 |
Melpomene | 50 scudi | 66 cm | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1804- 1810 |
Homer, cf. A751 | 60 scudi | 64 cm, presumably similar to A751 + pedestal | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1804- 1810 |
Cicero | 50 scudi | 56.5 cm | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1804- 1810 |
Venus | 40 scudi | 50.5 cm | Part of Ropps Commission | List probably dated 30.12.1810 |
1804- 1810 |
Sappho | 50 scudi | 51 cm | Part of Ropp’s Commission | List probably dated 30.12.1810 |
1806 | A standard bust | 60-100 scudi | “kolosalsk” [colossal] | From Thorvaldsen’s general price list | Letter dated 18.6.1806 |
1806 | Socrates | 60 scudi | 49.7 cm | From Thorvaldsen’s general price list | Letter dated 18.6.1806 See also the Related Article Busts of Socrates and Apollo 1805-06 |
1806 | Apollo Giustiniani | 80 scudi | 62 cm | From Thorvaldsen’s general price list | Letter dated 18.6.1806 See also the Related Article Busts of Socrates and Apollo 1805-06 |
1808 | Homer, cf. A751 | 70 scudi | Presumably similar to A751 + pedestal, i.e., ca. 64 cm, like the Homer listed above | De Balck’s commission | Contract dated 16.4.1808 Letter presumably from October 1810 |
Year | Work | Price | Size | Notes | Sources |
1806 | A standard statue | 60 scudi for shaping the statue + 10 scudi for each casting | 133.8 cm = “6 Palmer” [6 palmi] | From Thorvaldsen’s general price list | Letter dated 18.6.1806 |
1827 | Christ, cf. A82, and the twelve apostles, cf. Peter, A86, Matthew, A87, John, A89, James the Less, A91, Philip, A93, Thomas, A96, James the Greater, A98, Bartholomew, A99, Simon Zelotes, A101, Paul, A103, Jude Thaddaeus, A105, and Andrew, A108 | 2,700 Roman scudi in total | – | – | Letter dated 10.4.1827 from the Building Commission for the Church of Our Lady, Copenhagen til Thorvaldsen |
Last updated 08.07.2018
In purely mathematical terms, the relation can be expressed as that the volume of the statue increases as the cube of its height. Thus, for example, a statue that is doubled in height will increase eightfold in volume.