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| Date | Events | Whereabouts | Works |
|---|---|---|---|
| May 1804 - 24.3.1844 | Residence in the Roman pension Casa Buti, 46 Via Sistina, first floor. | ||
| 14.11.1815 - 1844 | Workshops at 20 Vicolo delle Colonnette, Piazza Barberini, Rome. Today the street is called Vicolo Barberini. | ||
| 1818 - 1827 | Fragments of the Alexander Frieze, A831 - A850, previously Christiansborg Palace, partly destroyed by fire in 1884. | ||
| Not earlier than September 1818 - not later than 1821 | Giovanna Nugent, A239, is commissioned and modelled. | ||
| Presumably 1819 - 1825 | Maria Fjodorovna Barjatinskaja, A171. | ||
| 1819 - completed 1823 | Hebe, A875. | ||
| 1819 - 1822 | Shepherd Boy, cf. A177, marble version, The State Herimitage Museum, St. Petersburg. | ||
| 1819 - 1825 | Christ Assigns the Leadership of the Church to Saint Peter, cf. A565, marble relief, Villa Poggio Imperiale, Florence. | ||
| Not later than 21.3.1819 | A marble version of Mercury about to Kill Argus, cf. A5, is begun. This is probably inv.no A873, finished 1822. | ||
| 17.7.1819 - 5.1.1822 | Dancing Girl, cf. A178, is being carved in marble in Thorvaldsen’s workshop. | ||
| October 1819 - 1821 | Clemens Metternich, A234. | ||
| Presumably 1820 | Youth with a Dog, A185, possibly a preparatory work for John the Baptist Preaching, (A59-A70), modelled 1821-1822 and placed as a pediment above the main entrance of The Church of Our Lady in Copenhagen (today remade in bronze). | ||
| 1820 - 1823 | Cupid and the Graces, A894. | ||
| 1820 - 1824 | A small copy of Alexander the Great’s Entry into Babylon, cf. A503, is being executed as a cameo by Clemente Pestrini. | ||
| 1820 - 1828 | Shepherd Boy, cf. A177, marble, Draper’s Hall, London. | ||
| 1.12.1820 | Christian Frederik and his retinue arrive in Rome after a long stay in the area around Naples. | ||
| Presumably 1821 - 1824 | Anne Bingham?, cf. A308, marble bust, National Gallery of Art, Washington. | ||
| Presumably 1821 - 1824 | Georgiana Bingham?, cf. A313, marble bust, unknown location. | ||
| 1821 | Apollinaris, A186. | ||
| 1821 - 1822 | A Boy, A65, is modelled by Giuseppe Tenerani after a sketch by Thorvaldsen. | ||
| 1821 - 1822 | Pharisee, A66, is modelled by Giuseppe Pacetti after a sketch by Thorvaldsen. | ||
| 1821 - 1822 | Old Scribe, A63, is modelled by Joseph Hermann after a sketch by Thorvaldsen. | ||
| 1821 - 1822 | Reclining Shepherd, A70, is modelled by Giuseppe Tenerani after a sketch by Thorvaldsen, A79. | ||
| 1821 - 1822 | Hunter, A67, is modelled by Nicolò Marchetti after a sketch by Thorvaldsen. | ||
| 1821 - 1822 | Reclining Youth, A64, is modelled by either Luigi Bienaimé or Pietro Antonio Bienaimé after a sketch by Thorvaldsen. | ||
| 1821 - 1822 | Mother with her Son, A62, is modelled by Carlesi after a sketch by Thorvaldsen, A75. | ||
| 1821 - 1822 | Father with his Son, A61, is modelled by Giuseppe Pacetti after a sketch by Thorvaldsen. | ||
| 1821 - 1822 | Youth, A60, is modelled by either Angelo Bienaimé or Francesco Bienaimé after a sketch by Thorvaldsen, A74. | ||
| 1821 - 1822 | John the Baptist, A59, is modelled by Luigi Bienaimé after a sketch by Thorvaldsen, A73. | ||
| 1821 - 1822 | Two Children, A68, is modelled by Bernardo Tacca after a sketch by Thorvaldsen. | ||
| 1821 - 1824 | Mercury about to Kill Argus, cf. A5, new marble version without the hat, Prado, Madrid. | ||
| 1821 - 1844 | The Italian draughtsman Leonardo Camia draws several of Thorvaldsen’s works for use in graphic reproductions. | ||
| Not earlier than March 1821 - not later than 1822 | Mother with her Child, A69, is modelled by Carlesi after a sketch by Thorvaldsen, A77. The bust of the mother is modelled after Vittoria Caldoni, A279. | ||
| 17.3.1821 - 26.12.1822 | Cupid, cf. A22, is being carved in marble in Thorvaldsen’s workshop, including repairs after the collapse of the floor 8.11.1820. Today, the sculpture is in Vienna City Hall, Feststiege 1. | ||
| Not earlier than 12.8.1821 - not later than 10.5.1825 | Christian 8.’s table decoration is cast by Wilhelm Hopfgarten: Mercury about to Kill Argus, cf. A5, Venus with the Apple, cf. A12, Cupid Triumphant, cf. A22, Cupid and the Graces, cf. A29, Hebe, cf. A39, Jason with the Golden Fleece , cf. 52, Adonis, cf. A53, Mars Bringing Peace, cf. D174, Dancing Girl, cf. A178, and Pietro Tenerani’s: Psiche abbandonata. | ||
| Presumably November 1821 - January 1822 | Christ, A82, is modelled by Pietro Tenerani. | ||
| Presumably not later than 1822 | Giovanna Nugent, cf. A239, marble bust, Pomorski i povijesni muzej Hrvatskog primorja Rijeka (Maritime and History Museum of the Croatian Littoral Rijeka), Croatia. | ||
| Presumably 1822 | Jupiter, Minerva and Nemesis, A316. | ||
| Presumably 1822 | Andrea Appiani, A629. | ||
| Presumably 1822 - 1823 | Mercury about to Kill Argus cf. A5, new marble version is begun. Today at the Krzeszowice Castle, Krakow. | ||
| Presumably 1822 - 1823 | Henry Thomas Hope, A265. | ||
| Presumably 1822 - 1825 | Shepherd Boy, A895. | ||
| Begun 1822 | Alexander the Great’s Entry into Babylon, A508, reduced version of A503, begun by Pietro Galli. | ||
| 1822 | Mercury about to Kill Argus, A873. | ||
| 1822 | Józef Poniatowski, A126, preparatory work for A123. | ||
| 1822 | Juliane Sophie, A202. | ||
| 1822 | Possibly begins a new version of Baptismal Font, cf. A555,1, A555,2, A555,3, A555,4, as a present for Iceland. | ||
| 1822 | Sees a live lion in a menagerie, a model for A122. | ||
| 1822 - 1823 | Horse, A125, model for A123. | ||
| 31.1.1822 | The sculptor Rudolf Schadow dies. | ||
| Completed not later than 13.2.1822 | Christian Carl Friedrich August, A203. | ||
| Completed not later than 13.2.1822 | Friedrich August Emil, A205. | ||
| Spring 1822 | Friedrich Wilhelm Carl Ludwig, A201. | ||
| 25.3.1822 | Becomes a member of the Royal Academy of Sciences in Trondheim. | ||
| 15.5.1822 | Travels to Orvieto with P.O. Brøndsted and Giuseppe Tenerani in order to help the fever-stricken Pietro Tenerani return to Rome. | ||
| Not earlier than 17.5.1822 - not later than 22.5.1822 | Leaves the fever-stricken Pietro Tenerani with Giuseppe Tenerani in Viterbo. | ||
| 24.5.1822 | Donates Caritas, marble relief (the Church of Our Lady, Copenhagen, cf. A598) to the Norwegian Hans Henrik Gunnerus. | ||
| Summer 1822 | Apollinaris, cf. A186, marble, Accademia di Belle Arti, Ravenna, is sent from Rome. | ||
| Summer 1822 | Supervises the completion of the late sculptor Rudolf Schadow’s unfinished statue of a Bacchus. The carving itself is performed by an unidentified worker in Schadow’s former studio. | ||
| Summer 1822 - October 1822 | Thorvaldsen has respiratory problems. | ||
| Summer 1822 - September 1823 | Nicolaus Copernicus, cf. A113. | ||
| 7.6.1822 | Travels to Viterbo with a doctor and Luigi Bienaimé in order to attend the fever-stricken Pietro Tenerani. | ||
| 1.7.1822 | Gilbert Elliot-Murray-Kynynmound visits Thorvaldsen’s workshop in Rome and probably soon after commissions a version of Shepherd Boy, cf. A177. | ||
| 1.8.1822 - 1844 | Rents a stable in Palazzo Barbarini and fits up his large studio here. | ||
| Presumably autumn 1822 | Leo von Klenze inquires about his commission for a cast of Alexander the Great’s Entry into Babylon, cf. A503, for Palais Leuchtenberg, München. | ||
| September 1822 | Thorvaldsen receives Joseph Karl Stieler’s portrait of Ludwig 1. of Bavaria, B163. | ||
| 6.9.1822 | Elected member of Det Kongelige Norske Videnskabers Selskab (The Royal Norwegian Society of Sciences and Letters). | ||
| 18.9.1822 | Sulpiz Boisserée writes to Thorvaldsen that the monument to Goethe must be postponed indefinitely. | ||
| October 1822 | Edward J. Cooper commissions a funerary monument to his wife, which, however, is not executed. | ||
| October 1822 | Pediment group John the Baptist Preaching, A59-A70, is assembled. | ||
| 13.10.1822 | Antonio Canova dies in Posagno. | ||
| 15.10.1822 | Peter Malling recommends H.W. Bissen in a letter to Thorvaldsen. | ||
| Begun November 1822 - presumably completed 1823 | Vittoria Caldoni, A886. | ||
| Presumably not later than 15.11.1822 | Dancing Girl, cf. A178, and Cupid Triumphant, cf. A22, are sendt to Vienna in marble, probably to Nicolaus Esterházy, where they are subsequently exhibited in his sculpture gallery in the Mariahilf palace. | ||
| 31.12.1822 | Celebrates the New Year with, among others, P.O. Brøndsted and gives a party for 34 people, Germans, Danes, and Italians. | ||
| 23.10.1838 | Present at the installation of the pediment group Johannes Døberens prædiken, modelled 1821-1822, jf. A59, A60, A61, A62, A63, A64, A65, A66, A67, A68, A69 og A70, above the main entrance to the Church of Our Lady in Copenhagen. |