Search result 58 hits
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| Date | Events | Whereabouts | Works |
|---|---|---|---|
| 9.2.1804 | Thorvaldsen and Christian Hornbech receive H.M. Frisch and his wife Dorothea in the Piazza del Popolo on their arrival in Rome. | ||
| End of March 1804 | Conducts a party on a tour of Rome to various artists, among them Angelika Kauffmann, Joh. Christian Reinhardt, and probably J.L. Lund. | ||
| 5.4.1804 | H.M. Frisch and his wife Dorothea visit Thorvaldsen’ studio and see Jason, A822, and Briseis and Achilles, A490. | ||
| May 1804 - 24.3.1844 | Residence in the Roman pension Casa Buti, 46 Via Sistina, first floor. | ||
| August 1810 - January 1816 | Rents two workshops in Via dei Cappuccini near the intersection with Via della Purificazione. | ||
| Not earlier than August 1812 - not later than 1819 | Henrik Hielmstierne, marmorbuste, the Royal Library, cf. A210. | ||
| 1813 - 1816 | Venus with the Apple, A916, reduced version of A12. | ||
| 1813 - May 1816 | Venus with the Apple, A12. | ||
| Presumably 1814 - 1820 | Anna Potocka?, A251. | ||
| 1814 | Edward Pellew, A260. Two marble versions at Canonteign, Devon. | ||
| Presumably 1815 - 1816 | Maria Aleksejevna Narysjkina, A248. | ||
| Presumably 1815 - 1816 | William Bentinck, A261. Marble bust at Welbeck Abbey, North Nottinghamshire. | ||
| Presumably 1815 - 1819 | The Genii of Life and Death, A158. | ||
| 1815 | Catharina di Branciforte, A276. | ||
| 1815 | Georg Wilhelm Wilding, A275. | ||
| 1815 - October 1819 | Jelizaveta Aleksejevna Osterman-Tolstaja, marble statue, The State Herimitage Museum, St. Petersburg (cf. A167). | ||
| 14.11.1815 - 1844 | Workshops at 20 Vicolo delle Colonnette, Piazza Barberini, Rome. Today the street is called Vicolo Barberini. | ||
| Presumably 1816 | Night, cf. A369, and Day, cf. A370, are commissioned in marble by Richard Bingham. The marble reliefs are in Hearst Castle, San Simeon, California. | ||
| Presumably 1816 | Perhaps models portrait bust of Nikolaj Nikititj Demidov. Marble versions at the Hermitage Museum in St. Petersburg and at the Nízhni Tagil Museum in the Urals. | ||
| Presumably 1816 - 1817 | Anne Bingham?, A308. | ||
| Presumably 1816 - 1817 | Elizabeth Vernon?, A311. | ||
| Presumably 1816 - 1817 | Georgiana Bingham?, A313. | ||
| Presumably 1816 - 1819 | Unknown, A292. | ||
| Presumably 1816 - 1819 | Unknown, A306. | ||
| Presumably 1816 - 1819 | Unknown, A314. | ||
| Presumably 1816 - 1819 | Models a portrait bust of a Valletort, executed in marble not later than 1819. The bust is unknown today. | ||
| 1816 | Ganymede Filling the Cup, A42. | ||
| 1816 | Monument for Jozefa Borkowska, A621. | ||
| 1816 | Hebe, A39. | ||
| 1816 | Hebe, A870, reworked version of A37. | ||
| 1816 | The Dance of the Muses on Helikon, A341. | ||
| 1816 | Catharina di Branciforte, A891. | ||
| 1816 | Georg Wilhelm Wilding, A890. | ||
| 1816 | Mary Ann Montagu, A267. | ||
| 1816 | Michael Coronini-Cronberg, A301. | ||
| 1816 - presumably 1820 | Hebe, A874. | ||
| 2.1.1816 | Lunch with C.W. Eckersberg. | ||
| 30.1.1816 | J.L. Lund returns to Rome, visits Thorvaldsen, and moves in at Casa Buti. | ||
| Spring 1816 | Alexander Baillie, A262. | ||
| Spring 1816 | Hans Carl Knudtzon, A231. | ||
| Spring 1816 | Jørgen von Cappelen Knudtzon, A230. | ||
| Middle of March 1816 | Probably attends a party with a Norwegian theme, possibly on the occasion of the two Norwegians, Jørgen Knudtzon’s and Hans Carl Knudtzon’s departure from Rome 19.3.1816. | ||
| Not later than 15.3.1816 | Jørgen Knudtzon and Alexander Baillie commission the marble relief Cupid and Bacchus, cf. A408. He receives the relief in Trondheim in 1817 (today in the University Museum at NTNU Norwegian University of Science and Technology, Trondheim). | ||
| Not later than 15.3.1816 | Jørgen Knudtzon and Alexander Baillie commission the marble relief Hector with Paris and Helen, cf. A499. He receives the relief in Trondheim in 1817 (today in the University Museum at NTNU Norwegian University of Science and Technology, Trondheim). | ||
| Not later than 15.3.1816 | Jørgen Knudtzon and Alexander Baillie commission the marble relief Venus, Mars and Cupid in Vulcan’s Smithy, cf. A419, today at Stoke Park, Buckinghamshire. | ||
| 19.3.1816 | Jørgen and Hans Carl Knudtzon (and in all probability also Alexander Baillie) leave Rome. | ||
| 5.4.1816 | Gives a collection of engravings as a present to C.W. Eckersberg. | ||
| 6.4.1816 | Wlodzimierz Potocki, cf. A155, is commissioned in marble by Anna Potocka. | ||
| Beginning of May 1816 | Ganymede Filling the Cup, A43. | ||
| 12.5.1816 | Farewell party C.W. Eckersberg organized by J.L. Lund. Many German artists are present, and probably also Thorvaldsen. | ||
| Completed 12.5.1816 | C.W. Eckersberg, A224. | ||
| 13.5.1816 | C.W. Eckersberg leaves Rome. Early in the morning Thorvaldsen and others, among them Johan Niklas Byström and J.L. Lund, accompany him as far as Nero’s Tomb outside Rome. | ||
| Summer 1816 | William Haldimand commissions a portrait bust of himself. The bust, if executed at all, is unknown today. | ||
| Summer 1816 - summer 1817 | Restores the marble sculptures from the temple of Aphaia on the island of Aegina, for Ludwig 1. of Bavaria in a studio on Via del Corso close to Piazza del Popolo. | ||
| Not earlier than summer 1816 | Richard Bingham”:/personer/bingham-richard commissions the first marble copy of Venus with the Apple, cf. A12. Today at Hearst Castle, San Simeon, California. | ||
| 20.7.1816 | Member of a commission to evaluate the antique works of art purchased for the papal collections with Antonio Canova among others. | ||
| 3.9.1816 | Elected member of the Academy of Fine Arts in Perugia. | ||
| 1839 - 1843 | Merchant Carl Adolf Ollendorff (1816-1902) gives the museum a Grandfather Clock, N150, made by Thorvaldsen. |